Summer has so much to love. It’s a time of swimming and sunlight and fresh air; school is out, and worries are few. But it can also be miserable. This past week, where I live, to step outside was to boil.
So I thought I’d choose prompts that capture the magic of summer–and also the heat. Thanks, Lydia Jane, for crafting prompts that encompassed all of summer.
Laura E. and I had such a fun time reading through everyone’s entries. If you’re interested in reading them all, here are the prompt posts:
Who doesn’t love fairies? Whether the trickster fae or a sweet fairy godmother, these kinds of characters can be taken in so many ways. That’s why I chose it for the theme of my April contest!
This month, my co-judge was Shaina Merrick, a writer I met at Realm Makers 2019 who has become one of my dearest friends. My prompt creator, Lydia Jane, really outdid herself with the prompts this month. (I think the participants would agree with me.)
Can I just say thank you to everyone who participated? You really made my week, guys. The sheer amount of participants made judging difficult, but it was so worth it.
Hold on, you say. Wasn’t there a Christmas-Themed Prompted Contest last year?
Yes, but we needed more Christmas cheer this year. After all, it is 2020. So I feel no regrets about using the same theme.
My co-judge for December 2020’s Prompted Contest was Marit Edwards-Ronning (@m.c.edwardsronning). You may remember her as my judge from May’s Light-Themed contest and as the winner of the Christmas contest last year. So I thought she would be a good judge for this year’s Christmas contest. 😉
Here are the various posts in which the contest took place.
Hi, friends! Normally, I post on the first Friday of the month, but my prompt buddy, Laura, was out of town during that time. So, she and I decided to postpone our stories for a week. Thanks for waiting!
I always make sure to leave roses on the bush.
Glancing around furtively, I snip away the last stalk I’ll take tonight, cradling the snow-white rose in my gloved hands. Moonlight casts the garden in an eerie glow. It’s a night fit for ghosts to walk, which is sort of fitting, I guess.
The lights are off at 2467 Yarrow Lane, just as they are in the rest of my part of the world. Delilah always liked this time of night, said that this was when you could be free because the only ones watching are God and the moon. I gaze at the moon, a thin, pale crescent in the pitch-black sky, and my heart cracks. Can you still see the moon, Lilah?
My eyes catch on another part of the garden, the plants pale with dark green flowers. Are those gardenias? How did I never notice them? I mean, I’ve been taking from this garden for weeks.
Delilah loved gardenias. Whenever she saw one, she had to buy it, no matter where we were or how inconvenient it was. I never really understood the appeal. I mean, they smell nice but feel weird, kind of like wax, and they look fake.
But suddenly, they’re the most beautiful flower in the world.
\With another glance at the darkened windows, I creep across the garden, trying not to crush any plants. Holy crap, how big is this garden, anyway? It’s like a jungle in here––massive plants swallowing my dark-clad form, brightly-colored blooms I don’t recognize.
I should probably switch things up, try a different garden. Then these people won’t get suspicious about their flowers disappearing. But 2467 Yarrow Lane has the biggest, most elaborate garden I’ve ever seen.
Snip snip go the shears, and three gardenia stalks drop into my waiting hands. I stare at the waxy flowers for a moment, my heart seizing. Just for you, I think.
Okay, maybe I’ve taken too many this time. But they’ve got plenty of flowers. They won’t notice.
Last decade it was Beth, the previous one Elisabeth, Betty before that. I reuse the names over the years; one can only acclimate to so many variations.
But today, walking through the new art museum, draped in violet silk, I feel like Lisbeth, the girl who loved beautiful dresses and couldn’t bear the thought of settling down. The elegant golden archways and detailed murals on the ceilings bring me back to the days when servants came at my call.
My heels click against the tile as I make my way down the ornate hallways. Paintings always bring me back to my childhood. I stop to study one that so clearly resembles our summer estate. I can almost feel the sea against my toes, the salty air against my skin; can almost hear Mum telling us to slow down, to be good girls.
I shove the ache deep inside and stroll through the museum. Lovely quality, priceless things. They really have improved the museums over the years, though part of me misses the time when carriages clattered down cobblestone streets.
I almost pass the painting, lost in my thoughts, but the dress catches my attention—pale pink chiffon, cinched at the waist, lace draping the neck, silver threads glittering throughout.
My feet stop of their own accord, and I turn my full attention to the painting. The Adoration of Lisbeth by Claude Heron.
The girl depicted is pretty, late twenties—an old maid—dark hair caught up in tight coils. Her smile is mischievous, her gaze playful, even transmitted through brushstrokes.